Macklemore and Ryan Lewis World Tour poster

 

To borrow a line from their hit single “Thrift Shop,” the above headline is what was going through my head while shooting the world tour poster for the hip-hop collaboration Macklemore & Ryan Lewis two weeks ago on a dry lakebed 100 miles northeast of Los Angeles. Shooting a world-famous hip-hop group in the middle of nowhere with live animals, including a very large, and fortunately very well behaved, tiger. Just another Tuesday, right?

The image references their song lyrics as well as their recent music video for their song “Can’t Hold Us,” which includes shots of their trumpeter Owuor (sounds like “No War”), riding a camel. It was conceived by Macklemore and Ryan and I was stoked when they called on me to execute it. The image is currently being used to promote their upcoming world tour on the heels of the release of their new album, The Heist.

Making the shoot happen was no easy task, and owes a lot to the group’s producers, Nic and Honna, who managed to arrange for the musicians, a live camel, tiger and flamingos, a variety of props including a rare 1980′s Cadillac they found in San Diego, me, my assistant and all of the lighting and grip gear I requested, to be assembled out in the middle of nowhere. Once together, my role was as much photographer as it was director, not only composing and lighting the shot, but communicating with the talent and the numerous animal wranglers (from Hollywood Animals and Gentle Jungle), who were fantastic when it came to getting the animals in the right place at the right time. And if things weren’t already interesting, we had to contend with 30 mph winds that knocked over props, knocked hair out of place and turned the 8-foot octabox on my key light into a giant power kite that at times required the strength of my assistant, two producers and four sandbags to keep it from flying away. Also, as you can imagine, the tiger could not be in the same shot as the camel or flamingos, lest she become a little…hungry. She was, as I said, well behaved, but not so much that she wouldn’t be interested in some tasty pink snacks. So we had to shoot plates of the tiger and flamingoes separately, that were later combined in post.

The group was fun, but was all about business, which made working with them a great experience. What I like best about them is their insistence on going it alone despite offers to join the ranks of numerous labels. (Hard to blame the labels for wanting them considering the “Thrift Shop” video now tops 250 million You Tube views, as well as their recent appearances on SNL, Conan and the MTV Movie Awards.) This means they have creative control over everything they do, which I’m sure is a dream for many creatives with their level of success.

Word is they’ll be in Europe most of the spring and summer and will be returning to tour the U.S. in the fall. You can find out more at www.macklemore.com

And in case you doubt that the tiger was real…

 

tiger

Original McDonalds in San Bernardino - Los Angeles Editorial Photographer

All images © David Zentz/Novus Select

San Bernardino landscape - Los Angeles Editorial Photographer

San Bernardino Fire Department - Los Angeles editorial photographer

 

An article recently ran featuring work I did for Der Spiegel last summer. The story focuses on the slow economic decline of the city of San Bernardino – home of the original McDonald’s restaurant – as it teetered on the brink of bankruptcy, which it officially filed for less than a month after our visit. We – myself, the writer and a videographer – spent a long, hot, winding day in the depressed town of 213,000 that took us from the site of the restaurant, which is now an independently operated museum, to a number of agencies, a brief visit with firefighters at risk of losing their jobs and finally to a city council meeting where the council discussed possible austerity measures that would be required to eventually dig out of this mess. Something that at this point seems a long way away. The article’s an interesting read. Check it out here.

mark-francis

 

A couple days ago I had a random encounter with a man named Mark Francis while having coffee just off the boardwalk with some future photo subjects. When I was in college cigarettes were a great way to start a conversation with someone. Later it was a camera. Turns out having a dog works really great as well. Mark spotted my friend’s dog and couldn’t help but to come over and talk. Turns out he’s a former LA resident and founding member of a late 80s-early 90s post-punk band Francis X & the Bushmen, named after the late Francis X Bushman, a famous actor from the early 1900s who later donated his land to Sid Grauman, upon which he erected his famous Chinese Theater. Francis is now living in Mendocino, occasionally returning to LA to check out the music scene. The conversation ranged from dog breeds to Shamanism to his days in Venice Beach in the mid-70s. Cool guy and a nice break in the day. It’s great never knowing who you’re going to meet around here!

Rainy but delightful days between the holidays were spent in Pismo Beach and the Santa Ynez/Santa Maria valleys tasting wines and then tasting some more at the area’s numerous vineyards with Erinn and her visiting parents. Between tastes and downpours I managed to bring out the camera to capture the abundant, beautiful landscapes the region has to offer. As they say, bad weather makes great photos! I was recently reminded of this when I took two separate trips to Death Valley National Park to work on an ongoing magazine assignment that will run in the spring. The first trip had beautiful, cloudless blue skies and I came back with some rather boring landscapes. The second trip was partly overcast, adding instant drama to the shots and yielding much better results. These aren’t so dramatic, but the skies definitely lend a quiet, wintry mood that I like. Bring on the clouds!

Wishing everyone a happy new year!

 

Portrait of Los Angeles artist Aaron Axelrod - Deer sculptures for CAA

These are some a couple of my favorite portraits from recent sessions with Los Angeles artist Aaron Axelrod. I first met Aaron through my girlfriend, who works with his cousin. I came across him again several months later while he was doing an live painting at Google, who were hosting the Venice Art Walk at their new offices in Venice. When I came across him he was covered in colorful paint splatter and standing in front of a wall he was painting in his signature dripping style, (seen in his Pot, Sex & Acid series on his website), as well as on buildings around the city and in a recent commission for Apple. If I had my camera on me at the time I would have shot him right then, but – oops – I didn’t. It was cool though, because what I was really envisioning was a lit shoot that would really make the color pop. I later contacted him through Erinn to express my interest in doing this and, fortunately, he was down. We met in person a few days before shooting and came up with the idea to sandwich him between a mural in his studio and a piece of plexiglass that he could paint on as we shot. The effect I was hoping for was that he would appear to be a part of his own painting. The bunny ears were entirely his idea, and I did not object! He had recently worn them during a successful live painting show at the Vortex Dome called Melting Rainbows, in which he dripped paint on a spherical projector, making it appear as though colors were melting down the wall. The shoot was fantastic and yielded tons of great images, none of which are repeatable. Since the paints are water-based, he was able to simply wipe the surface clean and start again.

At that time he was also working on a commissioned piece comprised of two life-sized reindeer, which he heavily spray-painted and adorned with giant neon antlers. The pieces were just installed in front of the Westfield headquarters on Avenue of the Stars in Century City. I hung out for an afternoon shooting him as he painted them in his garage and then came back a week later to shoot the portrait above. The deer are surreal and I can’t wait to see them in their intended space. You should go check them out too!

Here’s one from a recent shoot with hip-hop artist Ice the Villain. The shoot was a collaboration with a stylist friend, Sunshine Harding, that we submitted to the music and fashion blog Style & Hip-Hop. For the shoot we found a great graffiti wall in the Crenshaw neighborhood that provided countless backgrounds and textures to work with. Check out more here.

If you’ve found your way to this post through a Google search, some asshole has probably just stolen your camera. My sincere condolences. The good news is there are numerous ways to help you recover your gear! How do I know this? I’m sorry to say, through my own excruciating experience. I recently had a Nikon D700 and an attached 80-200mm f/2.8 lens stolen – seemingly during the millisecond or so my eyes closed as I blinked – from a table I was seated at in the lobby of the Long Beach Convention Center. Fortunately, my insurance didn’t have a clause excluding blinking, so I was covered. I was cheap with my insurance, thinking nothing would ever actually happen, so that still left me with a $1,000 deductible to pay. But that’s better than the $3,000+ replacement costs! It’s also given me a sense of renewed vigilance when it comes to protecting my assets. Anyway, I’m sorry your gear was taken. When it happened to me I was looking for a consolidated resource on what to do, but couldn’t find anything. So, after research and asking around for advice, I thought I’d write my own. What’s the picture above have to do with this post? Nothing really, other than, like the thief who took my gear, I don’t know this person’s identity.

What I’ve learned about how to recover lost or stolen camera equipment:
Disclaimer! Unfortunately, none of this so far has resulted in my gear being returned, but I have heard success stories. Should my gear turn up I’ll be sure to update this post, noting which method did the trick. In the meantime, hopefully you’ll find this helpful in the event of stolen or lost gear. If you have anything to add to this or have had one of these methods work for you, please leave a comment below!

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Adolf Kiefer Olympic backstroke gold medalist

Adolf Kiefer at home in Illinois.

Adolf Kiefer swimming

Adolf Kiefer swimming

In light of the recent accomplishments by Missy Franklin at the London Olympics (5 medals! 4 of them gold!) I thought I’d post some photos I shot and set aside a few months ago of Olympic backstroking legend Adolf Kiefer. The oldest living Olympian gold medalist, in his prime he competed in the 1936 Berlin Olympics and was famous for being the first man to break the 1-minute mark in the 100m backstroke and winning all but one of his 2,000 + career races (Wikipedia says 2, he says 1). I had the opportunity to meet him and his wife this April at their home in northern Illinois after helping the directors of the upcoming documentary film Touch the Wall – which profiles Franklin and her former teammate Kara Lynn Joyce – shoot some footage at the Indianapolis Grand Prix. They wanted to interview Kiefer to learn about his storied career (there was even a comic book starring him) and also gain his insights into swimming’s then up-and-coming, now fully arrived, swimming star, who shares his specialization in the backstroke. So, following the races we drove north and spent an amazing two days interviewing him and rummaging through years of memorabilia, some of which deserves to be in a museum. At 94 years old, Kiefer has lead a life that many of us couldn’t fit into 10 lifetimes. In brief, after competing in the ’36 Olympics, where he met Hitler and befriended Jesse Owens, he had a short-lived flirtation with Hollywood before moving to serve in the Navy where he taught 13,000 navy swim instructors, saving countless military lives to drowning. He eventually went into business for himself, building Kiefer & Associates, a company that invented the first nylon swimsuit, modern lane dividers that keep swimmers’ wakes from entering adjacent lanes and that still to this day supplies much of the equipment you see at elite swim meets, from starting blocks to swim caps. Later in his life he moved into philanthropy and continued his mission, born in his Navy years, of teaching swimming safety to thousands of youth in the Chicago area. Despite being on in years and confined to a wheelchair, he and his wife both take daily swims in their indoor lap pool, put in time with the business, which they have sold to another owner, and get out to the major swimming competitions, including the Olympic Trials that were held last month in Omaha. Most of our time spent with them was in wide-eyed amazement as he recounted tale after tale of his life and as we perused his countless medals, photographs and pieces of memorabilia. A personal favorite was a copy of the official Berlin Olympics book, which contains hundreds of photos, many of them glued in prints, of Berlin during the ’36 games. Right there in the middle of it, along with chilling photos of streets lined with swastika-adorned flags and iconic images of the late, great Owens, is Adolf, arms raised, clutching a bouquet of flowers. And now he’s here seated next to me. After taking it all in and processing, I left feeling inspired to do more. I think if we could all accomplish a fraction of what he’s accomplished with our time here we’d all lead very fulfilling lives.

John Brenkus ESPN's Sports Science for Sports Insight

John Brenkus for Sports Insight

John Brenkus ESPN's Sports Science for Sports Insight magazine cover

John Brenkus for Sports Insight

I had a fun time recently photographing John Brenkus, host of the ESPN show Sport Science, on set on a cover shoot for Sports Insight magazine. The art direction was to work with the concept of Brenkus as a sort of mad scientist, but to avoid making it look like he was standing on the set of his show. This is because beyond hosting the Emmy Award-winning show he is also a successful entrepreneur and author, as well as an accomplished athlete, having completed several Iron Man competitions, one of which he featured on the show, analyzing what his body went through getting in shape to compete on that level. I needed to provide both a cover photo and inside photo for the story and was provided only a boxful of beakers to create the look. In the brief 45 minutes I had with him we shot three setups – on white backdrop, using the beakers filled with colored water against a cavernous black space and against a wall -  the latter two shots using underlighting to accentuate the mad scientist look. All two and three light setups. The white backdrop was originally supposed to be the cover with the plan that it would be overlaid with scientific jargon, but they ended up going with the beaker shot. Overall it was a good shoot and I enjoyed getting a behind the scenes look at the set. The show strikes a great balance between being educational and entertaining. If you ever get a chance to watch I’d recommend it.

Baldwin Hills Scenic Overlook flying a kite

Hernan and Satya fly a kite at the Baldwin Hills Scenic Overlook, Culver City, Calif.

A few weeks ago I got the Nikon D800 and immediately took it out for a spin. After visiting some friends in Culver City I decided to hike up to the top of the Baldwin Hills Scenic Overlook, where I was lucky to find Hernan and his daughter Satya flying a kite high over the city’s distant skyline. Despite Satya’s apparent disinterest at this moment, she was actually untangling the kite string, which you can see quite clearly if you zoom in on the massive 36mp file this thing produces. Since then I’ve also had the chance to use the camera’s video features. No fooling around, my first use was helping my friends shoot a documentary film on up-and-coming Olympic swimming star, Missy Franklin. The film’s trailer can be seen here and is due out sometime in the next year. I’ll eventually cobble together some footage from that to share, but will hopefully have some more video opportunities in the meantime. So far I’m loving it! Anyone wanna buy a Nikon D3?

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