University of Southern California portrait

Susan Metros, associate vice provost at USC

Last week I photographed Susan Metros, associate vice provost at the University of Southern California, for a story in the Chronicle of Higher Education on the increased use of student-produced video projects as homework, sometimes in lieu of traditional written essays. Although I’m not sure about using videos as a replacement for writing, I do agree that it’s a good idea to go beyond passive media literacy to actually having students produce videos and think visually. And it’s become easier than ever, with the majority of students having computers and at least some form of video device in their possession. Unfortunately, the shoot took place after students were done with any relevant projects, so there was nothing actually happening that I could photograph. But we tried to make the most of it with an empty computer lab and some helpful assistants who logged into every computer for me and put them all on the same website. Here’s a link to the article if the topic interests you: http://su.pr/30S4vM

Steven Sample portrait

USC Galen Center, Los Angeles

Last week I had the pleasure of photographing the esteemed president of USC, Steven B. Sample, for the Chronicle of Higher Education. Sample will be retiring later this year after nearly two decades of leadership during which time he has been credited with converting the institution from the “University of Second Choice,” to the premier university in Los Angeles. He has also helped the school shake the stigma it has for being located in a rougher part of the city, just three miles south of downtown.
This portrait idea was that of the photo editor, who was inspired by the powerful simplicity of the recent portrait of Roger Ebert for Esquire magazine, which ran last month. There was some concern that Mr. Sample wouldn’t be willing to sit for it because he is battling Parkinson’s disease, a condition he’s had since 2001. However, once I met him and saw the glint in his eye I knew this portrait would be a great way to convey his personality and intelligence and, with only the tiniest bit of convincing, he was happy to sit for me. The rest of the article was about the campus’s relationship with its urban environment. USC was right in the middle of the area most affected by the Rodney King riots in 1992 and, despite being largely unscathed by the destruction, was known for being situated in a dangerous area. I recall this from my own research when considering schools in the mid-90s. UCLA was known for its gorgeous surroundings, and USC was in the ghetto. As I ultimately went to the University of Pittsburgh, it didn’t much affect my decision making, but I can see the obstacle the campus has overcome. To shoot this I spent a good deal of time walking around the campus trying to find angles that show its relationship to the city. Not as easy as it sounds. Like many universities, the school campus is fairly self-contained, so there are only a few angles, at least from ground level, that show the school buildings in relation to its urban surroundings. After several hours of hiking around the campus, I ended up finding this angle from the median of Figueroa Street and was able to show the Galen Center set against part of the downtown skyline.
Oh, and another fun thing that I found out from the accompanying article, was that Sample, who was an electrical engineer, is the guy who invented the keypad that is now on pretty much every microwave in the world. Pretty cool.

I had the opportunity last week, through an assignment for the Chronicle of Higher Education, to spend a little time with Paul Debevec at Light Stage 5 at USC’s Institute for Creative Technologies (ICT) Graphics Lab in Marina Del Rey. Debevec is being honored with an Academy Award for his work in creating the animated faces in Avatar. His research has lead to some pretty significant advances in the realism of digital animation and has been utilized in such films as the Spiderman movies, Hancock, and Benjamin Button. The light stage he’s standing in is comprised of 156 LED lights that enable them to study the way light hits a face from every possible angle and then create a digital representation of it that looks as close as any animation has ever looked to real. It’s also a really fun place to make a portrait. The face in the third photo is “Digital Emily,” an early animation made using the same stage. And the puzzle is made from a photo of Light Stage 6, which is held at another location and is now being used to create full body animations. His research makes me feel like I know absolutely nothing about light, but is really interesting. You can view some samples of his work at www.debevec.org

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