Venice Beach Boardwalk Portrait

Venice portrait - 2Much

Venice Beach Portrait of Skaters

Venice portrait - Skaters

A couple weeks ago I went out to continue a series of portraits I’m doing with people I encounter on or around the Venice Boardwalk. I’m still not sure where I’m going with this project, but so far I’m having fun doing it. I do know I’m trying to avoid shooting the typical boardwalk scenes, such as street performers, vagrants and various eccentrics, and am mostly shooting people who are just there to enjoy the scene. For now I’m just going to keep on shooting and we’ll see where this goes. Previous photos from this are posted here.

Street artist Jules Muck portrait

Street artist Jules Muck

Earlier this summer I got a chance to photograph local street artist and designer Jules Muck at 1320Main Studios in Venice. I had invited her to shoot for a personal project I’m working on on local artists and thought it would be a great opportunity to shoot some portraits using a couple of large Kino Flo lights that the studio had available. In this instance, I gave Jules very little direction other than where to stand. I didn’t want to do anything too contrived and I thought it would be best to just let her be herself. She showed up wearing a slip and carrying a chihuahua, so that’s what we went with. Other than lighting, the other thing that was important to me was that the background was green, as it’s probably the most common color in her recent work, which can be seen on walls throughout Venice. If you’ve been to Venice lately, the piece you might recognize most is her portrait of Lindsay Lohan with the words “Welcome to Venice” scrawled above her head. I photographed people walking by the piece several months before I had actually met Jules. Anyway, the studio happens to have a large green screen that is used most commonly for video work, so I thought it was the perfect spot to shoot. The shoot was fun, but brief, as Jules managed to fit me in just before running off to catch a flight to NYC. The life of a street artist is changing! Between formal recognition by major museums, such as the current Art in the Streets exhibit at the Geffen Contemporary at MOCA, to an increasing number of commissioned works on everything from local buildings to major ad campaigns, not to mention the Banksy-directed film “Exit Through the Gift Shop,” street artists are increasing coming out of the shadows and into the limelight. As much of the work is still considered illegal, however, I think the rebelliousness that made it so exciting in the beginning still exists. It will be interesting to see how it evolves from here.

The emperor has no clothes!

Portrait series from the Venice Art Crawl at 1320Main Studios

Here’s a favorite from a portrait series I did during a photo exhibit we held at 1320Main Studios during the recent Venice Art Crawl. Many more, and additional photos from the Crawl, are up on Facebook.

Gustavo actor portrait black and white

Gustavo

Last week I had an awesome shoot with my friend Gustavo in Venice. An actor who moved here from Puerto Rico, he’s a very charismatic guy who is a natural in front of the camera. I recently had a discussion with a prominent Hollywood portrait photographer about how most of my subjects I shoot for editorial clients are not used to being in front of the camera and often need to be coached in order to look natural. I told him how much I enjoy it when I work with actors and models who know what to do in front of the camera and can really bring something to the shoot. He works with a lot of actors and said I’d be surprised how many don’t know what to do in front of a still camera. Fortunately that wasn’t the case with Gustavo, who gave me everything from goofy faces to quiet, reflective moments and was even dancing for awhile. Word is he’s a very talented dancer and competed a lot back in PR. Despite getting some great expressions, this moment stands out as my favorite from the shoot. If you want to see more, I’ve posted them on my Facebook page. Go check ‘em out! And while you’re there, feel free to “Like” me so we can keep in touch!

I’ve also entered this photo along with two others in the Photo District News’s Faces portrait contest, which happens to have a People’s Choice award. Please take the time to go there and VOTE for me by following these links! Looks like you can only vote for one though. And if you’re super nice feel free to copy the links and tell others to vote. Thanks!

http://facesphotocontest.com/bin/Rate?image_id=1009411558
http://facesphotocontest.com/bin/Rate?image_id=1009411559
http://facesphotocontest.com/bin/Rate?image_id=1009411560

Robert Lobetta portrait

Robert Lobetta for Hair's How Magazine

Robert Lobetta

Robert Lobetta

Robert Lobetta

Robert Lobetta

Last month I had a great shoot for Hair’s How magazine with legendary hair stylist and artist Robert Lobetta, though nothing went as planned. We had been aiming to shoot at the LA Louvre in Venice, but when we arrived I wasn’t happy with the limited access they were allowing us. So, we started looking for another space and were fortunate to be able to arrange use of the Canal Club, a nearby restaurant, as our studio. With the restaurant not yet open for business, we had the run of the place and were able to produce some creative shots. Robert was a great subject, comfortable in front of the camera and willing to work with me to make the shots unique. And when I offered to show him the back of my camera – something I’ve become accustomed to doing either because everyone asks, or as a tool to help me describe what I’m aiming for – he refused to look, saying that doing so would make him want to take control and he wanted to trust in my vision. It was great to work with someone whose business revolves around image, but who was still trusting enough to let me do my work as I see fit.

I had also brought all my lights with me, expecting to use them. Robert has a great look and I had a preconceived vision about the type of portrait I was aiming for. But once we were inside I kept being drawn toward a couple of wonderful natural light sources and, despite unpacking my stands and a couple of strobes, left them untouched, opting only to use a reflector. I think it worked out well.

If you’ve got some time, hop over to Robert’s site. He does it all and has a ton of great work on display.

2009-05-09-rx-bandits-final-web

I had a fun time continuing my experimentation with the Hasselblad the other day during a shoot with Long Beach-area band RX Bandits. The shoot was for Sargent House Records, who needed band photos for press kits being used to promote the bands upcoming album “Mandala.” The idea for this came from doing a little background research on the band and coming across a clip of guitarist Steve Choi describing their music as being a soundtrack to a movie playing in their head. I was thinking about doing a composite image using a bunch of sequential 35mm negatives to play with the cinematic concept, but not having a scanner and being on a limited budget I opted to continue playing around with my recent shoot-through-the-antique-camera kick to see if I could come up with something comparable. It doesn’t quite convey the concept that got the ball rolling, but it kind of evolved into its own thing that I thought worked pretty well. The band members were a bunch of cool, chill guys, making for a relaxed, fun shoot. Band members are, left to right, Matthew Embree, Steve Choi, Christopher Tsagakis and Joseph Troy.

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