May 032017

Editorial Photographer Tear Sheet

LACC Jazz Band - Editorial Photography


Late last year I photographed the Los Angeles Community College Studio Jazz Band for the Chronicle of Higher Education as they rehearsed for the following night’s concert. The story was about how the school had just received a $10 million grant from the Herb Alpert Foundation, which would be used to make tuition free for all music majors. Alpert, a jazz musician who founded A&M Records, and his foundation already had a history with donating to the school, but last year decided they wanted to give a legacy donation that would make a big difference in the lives of LACC students. The story reminded me of an episode of Malcolm Gladwell’s Revisionist History podcast that I listened to a few months ago in which he discusses a man named Hank Rowan who, in 1992, decided to give a $100 million donation to a local community college in order to create an entire engineering department. The podcast argues that more donors should think this way rather than only giving to the top Ivy League schools, which today have endowments in the multiple billions of dollars, but generally educate people who are starting with a lot of advantages. Thus the money doesn’t really do a lot for them in the way it would for the underserved students attending the small schools. It appears the Herb Alpert Foundation had a similar mindset. It was great to not only meet some of the beneficiaries of the foundation’s generosity, but also sit in on what felt like a private concert put on by a talented group of students.

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Apr 242017

Zibbz editorial for Blick magazine - Pink Flamingo

Tear sheet - Zibbz

I got to spend some time last month with Swiss brother and sister rock duo Zibbz at their Los Angeles bungalow for a profile just published in Blick Magazine. The magazine wanted to show their home lifestyle, in what it referred to as their “hippie flat,” for an article that would coincide with the release of their new single, “Run,” which just came out on March 10th. They were great to work with, allowing me to shoot wherever I wanted, even climbing up on the roof with me despite the fact that it was in the middle of an unusually hot day. Unfortunately those photos didn’t work out, but I appreciated their effort! If you read German you can learn more about them here. If not, you can at least check out their new music video.


Zibbz editorial for Blick magazine - musicians, available light

Zibbz editorial for Blick magazine

Zibbz musicians editorial for Blick magazine

Zibbz editorial for Blick magazine


Jan 272015

Musician Vinnie Venice Beach coffee shop

Musician Vinnie Venice Beach coffee shop


Walking through the neighborhood recently I came across local musician Vinnie Caggiano, who was perched on the sill of the Groundworks coffee shop talking to our friend Petey Pete and strumming on a beautiful orange guitar. Of course I couldn’t help but take a few pictures. A native New Yorker who relocated to LA in the ’80s, Vinnie is a talented guitarist who occasionally plays the boardwalk, but mostly takes local gigs and teaches. You can check out his work and sign up for a lesson here:

Jun 102014

Editorial Portrait Photographer Breaking Bad - Entertainment  Los Angeles Celebrity Editorial Portrait Photographer   In January I spent some time with Dave Porter, the composer responsible for forever imbuing the sound of a slide guitar with images of blue crystal meth, black hats and the scorching New Mexico sun. That is to say, the man who brought to life the iconic theme music for the mega-hit, possibly best-show-ever, Breaking Bad. Here’s a link to the long version of the main theme in case this has somehow escaped you: The shoot, at his Los Angeles studio, was a for a profile piece being written by the Sarah Lawrence College alumni magazine, from where he graduated in ’94. As we didn’t have a lot of time before the deadline, we scheduled it the morning after the Golden Globes, at which the series won for best dramatic television series and Bryan Cranston won for best male actor. Fortunately for me this meant that Porter was in a great mood, though unsurprisingly a bit tired! I’m looking forward to hearing the next of his creations on the upcoming M. Night Shyamalan, Wayward Pines.

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Apr 232013

Macklemore and Ryan Lewis World Tour poster


To borrow a line from their hit single “Thrift Shop,” the above headline is what was going through my head while shooting the world tour poster for the hip-hop collaboration Macklemore & Ryan Lewis two weeks ago on a dry lakebed 100 miles northeast of Los Angeles. Shooting a world-famous hip-hop group in the middle of nowhere with live animals, including a very large, and fortunately very well behaved, tiger. Just another Tuesday, right?

The image references their song lyrics as well as their recent music video for their song “Can’t Hold Us,” which includes shots of their trumpeter Owuor (sounds like “No War”), riding a camel. It was conceived by Macklemore and Ryan and I was stoked when they called on me to execute it. The image is currently being used to promote their upcoming world tour on the heels of the release of their new album, The Heist.

Making the shoot happen was no easy task, and owes a lot to the group’s producers, Nic and Honna, who managed to arrange for the musicians, a live camel, tiger and flamingos, a variety of props including a rare 1980’s Cadillac they found in San Diego, me, my assistant and all of the lighting and grip gear I requested, to be assembled out in the middle of nowhere. Once together, my role was as much photographer as it was director, not only composing and lighting the shot, but communicating with the talent and the numerous animal wranglers (from Hollywood Animals and Gentle Jungle), who were fantastic when it came to getting the animals in the right place at the right time. And if things weren’t already interesting, we had to contend with 30 mph winds that knocked over props, knocked hair out of place and turned the 8-foot octabox on my key light into a giant power kite that at times required the strength of my assistant, two producers and four sandbags to keep it from flying away. Also, as you can imagine, the tiger could not be in the same shot as the camel or flamingos, lest she become a little…hungry. She was, as I said, well behaved, but not so much that she wouldn’t be interested in some tasty pink snacks. So we had to shoot plates of the tiger and flamingoes separately, that were later combined in post.

The group was fun, but was all about business, which made working with them a great experience. What I like best about them is their insistence on going it alone despite offers to join the ranks of numerous labels. (Hard to blame the labels for wanting them considering the “Thrift Shop” video now tops 250 million You Tube views, as well as their recent appearances on SNL, Conan and the MTV Movie Awards.) This means they have creative control over everything they do, which I’m sure is a dream for many creatives with their level of success.

Word is they’ll be in Europe most of the spring and summer and will be returning to tour the U.S. in the fall. You can find out more at

And in case you doubt that the tiger was real…



Sep 242011

Big Talk at Hard Rock Cafe Las Vegas

Big Talk at the Hard Rock Cafe in Las Vegas

Last week I photographed the Stella Artois Draught Master competition at the Hard Rock Cafe in Las Vegas. It was my second year in a row shooting the event and was much improved this year with the addition of a rock show by Vegas locals Big Talk to finish off the night. The band is a side project of The Killers’ drummer Ronnie Vannucci Jr., who in this band takes the role as lead singer and guitarist. The show was pretty good and helped draw a nice crowd to the event. I’d never heard of the band before, but of course am at least somewhat familiar with The Killers. Brandon Flowers, The Killers’ lead singer, made a crowd-pleasing guest appearance midway through the show actually. This is a shot I like from the end of the evening. I was pretty much done shooting the action and retreated to the bar to take a break. The color of the stage lights contrasted nicely with the color of the liquor bottles lining the bar shelf. Vannucci is actually a very expressive singer and I got numerous shots of him belting out the lyrics, head up, eyes closed, mouth agape. The image lacks that moment for me, but the color combo helps make up for it.

The next day I stuck around for a portrait shoot I’d set up on the side. It gave me the opportunity to explore Vegas off the strip, which I rarely have done. Most of my visits there are results of gigs that usually take place somewhere along the strip. It was nice to see more. I’ll show the results of that day’s work soon.

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