Portrait of Los Angeles artist Aaron Axelrod - Deer sculptures for CAA

These are some a couple of my favorite portraits from recent sessions with Los Angeles artist Aaron Axelrod. I first met Aaron through my girlfriend, who works with his cousin. I came across him again several months later while he was doing an live painting at Google, who were hosting the Venice Art Walk at their new offices in Venice. When I came across him he was covered in colorful paint splatter and standing in front of a wall he was painting in his signature dripping style, (seen in his Pot, Sex & Acid series on his website), as well as on buildings around the city and in a recent commission for Apple. If I had my camera on me at the time I would have shot him right then, but – oops – I didn’t. It was cool though, because what I was really envisioning was a lit shoot that would really make the color pop. I later contacted him through Erinn to express my interest in doing this and, fortunately, he was down. We met in person a few days before shooting and came up with the idea to sandwich him between a mural in his studio and a piece of plexiglass that he could paint on as we shot. The effect I was hoping for was that he would appear to be a part of his own painting. The bunny ears were entirely his idea, and I did not object! He had recently worn them during a successful live painting show at the Vortex Dome called Melting Rainbows, in which he dripped paint on a spherical projector, making it appear as though colors were melting down the wall. The shoot was fantastic and yielded tons of great images, none of which are repeatable. Since the paints are water-based, he was able to simply wipe the surface clean and start again.

At that time he was also working on a commissioned piece comprised of two life-sized reindeer, which he heavily spray-painted and adorned with giant neon antlers. The pieces were just installed in front of the Westfield headquarters on Avenue of the Stars in Century City. I hung out for an afternoon shooting him as he painted them in his garage and then came back a week later to shoot the portrait above. The deer are surreal and I can’t wait to see them in their intended space. You should go check them out too!

Camping in Catalina Island

Kayaking around Catalina Island California

An amazing birthday was had last weekend when my girlfriend Erinn treated me to a trip to Catalina Island. We’ve been meaning to go since moving to LA and finally had the opportunity this year. Our site was boat-in only, so we rented kayaks in Avalon, loaded up our gear after wrapping it in double trash bags, and made the 6-mile trek to Goat Harbor on the northeast shore. Since it’s past the prime camping season, we were especially fortunate to have our own private beach for our entire stay. A few photos from the trip, the first of which being of the light coming from the Huntington Beach area to the east from our site…

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panoramic of child leaping off sand dune at sunset, Venice Beach, Calif.

Venice Beach sunset

Caught this moment this evening when I stepped out to check out the sunset. The sand dunes created on the beach always make for interesting photos.

Venice Beach Boardwalk Portrait

Venice portrait - 2Much

Venice Beach Portrait of Skaters

Venice portrait - Skaters

A couple weeks ago I went out to continue a series of portraits I’m doing with people I encounter on or around the Venice Boardwalk. I’m still not sure where I’m going with this project, but so far I’m having fun doing it. I do know I’m trying to avoid shooting the typical boardwalk scenes, such as street performers, vagrants and various eccentrics, and am mostly shooting people who are just there to enjoy the scene. For now I’m just going to keep on shooting and we’ll see where this goes. Previous photos from this are posted here.

View from Mt. Lemmon

View from Mt. Lemmon

Salton Sea chair

The Salton Sea

Erinn and I had a great trip to Tucson for the Thanksgiving holiday. Along the way I took numerous photos that had a rather quiet tone to them. Thought I’d pull them together for this post. While in Tucson, Erinn and I had a great time feasting with my sister and friends, trying out local breweries and visiting some pretty amazing locations, such as Ted De Grazia’s Gallery in the Sun and Mt. Lemmon. On the drive home we cut north on Rte. 86 for a very brief visit to the Salton Sea, which neither of us had visited in our three years living here. Only having seen images of decrepit trailers and short clips from the film Plagues and Pleasures on the Salton Sea, I was surprised to see how many people lived there, primarily in the town of Salton City. We drove up the north shore looking for interesting sites and came across an interesting mix of abandoned furniture, dead fish and numerous birds. The chair I’d seen photographed before in different locations. It must be moved around as needed by the numerous photographers who have visited the site. The dead fish, it turns out, are a result of the ever increasing saline percentages in the water, which are making it harder and harder for the fish populations to survive. We had to stay on schedule to make it home by a certain time that evening for the arrival of some house guests, but I’d like to look into this area more. In addition to the eccentric people who live in the area, there are apparently some significant ecological issues going on there.

More photos after the jump!

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Porsche CEO Matthias Muller for The Financial Times Germany

Porsche CEO Matthias Müller for The Financial Times Germany

I’ve never been that much of a car guy, but after an exhilarating assignment last week for the Financial Times I may change my tune. The job was to head up to the Santa Maria Airport, about an hour north of Santa Barbara, to photograph the new CEO of Porsche, Matthias Müller, during an interview the FT had scheduled during a multi-day press event hosted by the company to promote the new 911 Carrera S. The assignment went well. I was able to photograph him during the interview and was also granted sufficient time at the end to shoot a couple of quick portraits, including this one, with him sitting in the driver’s seat of one of the new models with half of the exterior shell removed to show the inner workings. Herr Müller was very cooperative and the result was a cool photo. My plans after that were to hop back into my little Nissan Sentra and hit the road. Then Helene, the writer, asked me if I wanted to go for a test drive. Say what?

At first I thought I actually might get to drive the car, an idea that made me both excited and a bit apprehensive, considering the value. That wouldn’t have been out of the question had I been one of the journalists staying at the local hotel, many of whom, including Helene, were given a vehicle to drive themselves to and from the hangar where the event was hosted. Instead, we were both treated to ride alongs with a guy by the name of Walter Röhrl, who I later found out was once voted the greatest rally car driver of all time, having won 14 World Rally Championships in his career. Now in his mid-60s, Röhrl is the senior test driver at Porsche and the guy they retain to show off the vehicles to journalists and important guests at events such as these. Behind the hangar, they had repaved a section of runway to create a closed course track. Helene went first, disappearing behind the building and returning moments later, saying nothing more to me on her return than “You should be scared.” I smiled and hopped in, still not quite sure what to expect. Walter greeted me and we rolled around to the back side of the building and crawled up to the starting line. He made some comments to a couple of guys tending to the track and then, pressing a couple buttons, informed me of the settings he was changing. I nodded, pretending to understand. He may have, at first, thought he was driving around an auto journalist, but probably not for long. Meanwhile, finally realizing that we were really gonna race this thing, I decided to pull out my iPhone to get some video of the ride from my perspective.

“Here we go,” he said, putting his foot to the floor. Off like a rocket, in seconds we were peaking at 150 mph on a long straightaway that appeared to come to a sudden end not too far in the distance. “Holy shit,” I thought, as my body pressed back into the leather seat and I fumbled to turn on the camera function on my phone without taking my eyes off the road. The camera began to load and then immediately crashed, reverting to the home screen. Damn. The road was about to end, and the car screeched to a near stop twice as fast as it had taken off, pushing me forward into my seat belt, before sending me sideways nearly touching the driver as we took a hard right around a bend and then accelerated into a series of curves. I tried for my camera again, and again it failed. I had just used it to take photos in the lot before climbing in. Why was it failing now!? The car lunged left and, I as soon as I pressed into the door, reversed course and pulled me back toward the middle, accelerating and braking through a series of curves. Somewhere in there I tried my camera once or twice more, but still it failed. Screw it, I thought, I’m not missing this by playing with my phone. At one point, I was certain the car was going to go up on its right wheels, or at least go off course, but decided to put my faith in the driver. Another short straight-away and a curve or two later and the ride was over. Somewhat stunned and not really knowing what to ask, I inquired about the top speed and the horsepower, 150 and 350 respectively, as we rolled back toward the hangar. Röhrl then held up his pinky finger and told me in a thick German accent, “The car is like an extension of my finger. I just think what I want it to do, and it does it.” After that drive, I believed him.

I drove my Sentra with aggression on my three hour drive back home. The next day Helene sent me a link to Rohrl’s Wikipedia page, where I learned exactly whose hands my life had been in the day before. Wow. It was quite the experience riding in a high-performance car with someone who can really make it perform. Time to start saving my pennies. I think I might be a car guy after all.

The camera on my phone resumed working normally later that day. Guess I’m just going to have to remember this one.

 

5-minute-photo-project

Instagram photos of the Santa Monica Pier

After more than a year of opting out, I finally let go of my reluctance to use one of the numerous and extremely popular camera apps available on the iPhone and downloaded Instagram. When I found myself walking along the Santa Monica Pier today with Erinn I decided to give it a try, and found myself really enjoying shooting with my phone for once. It wasn’t that I was against the apps themselves – I think the effects can be cool and always love shooting in a square format – it was just that everyone had adopted these programs so quickly that all of the photos were beginning to look the same and that too many are leaning on the gimmicky color effects to make otherwise weak photos look interesting. However, after taking a couple photos I liked right off the bat I was hooked and decided to make a quick photo project of it, shooting everything I could in the time it took us to walk to the end of the pier and back. Here’s the majority of the shots I took, stitched together in one easy to view pastiche.

Los Angeles event photography

Opening night for Jay Mark Johnson's SPACETIME opening at Animal West in Venice, Calif.

Rooftop view of Abbot Kinney from Animal West in Venice, California

An awesome view of Abbot Kinney from atop Animal West in Venice, California

Last week I photographed the opening of special exhibit of Jay Mark Johnson’s SPACETIME photographs at Animal West, a post production house in a beautiful modern space on Abbot Kinney in Venice. I have been to previous exhibits by Jay and, as always, his panoramics never fail to impress and bend the mind a bit. His unique use of a digital panoramic slit camera is too difficult to explain here, but I’ll just say the results are stunning and unique. Check out more about him and his work on his site. The event was a sneak preview for a special exhibit that was part of the Venice Art Walk, an annual fundraiser for the Venice Family Clinic that features thousands of pieces by local artists and raises big bucks for the clinic, which offers free and reduced cost medical care to families in need. This was also my first time taking part in the Art Walk. I donated (and sold!) a framed print from the Venice Graffiti Walls that I shot two years ago. Glad I could be a part and help raise some money for a worthy cause!

A sunken canoe on the Venice Canals after a heavy rain

One of many sunken canoes on the Venice Canals after many, many days of rain. Bad weather can make slow times seem even slower.

Anyone who’s a freelancer is probably all too familiar with the deadening silence coming from your telephone during the month of December. Or maybe it’s just me? Between the extended weekends following Thanksgiving and the weeks leading up to Christmas and New Years, there’s not a lot of time where any new business actually gets done in the twelfth month of the year. One thing that’s easy to do is to sit around waiting for phone to ring, growing increasingly depressed as the month drags on and your bank account goes down. Another is to whore yourself out (so to speak) for a quick buck so you at least feel like you’re working. This year’s unusual rainy season has made the first option the easy one this slow season. The second is a bad idea for numerous reasons, including that you’d be undercutting your industry and your time could be better spent. I’ve tried both approaches and neither does much good. A worthwhile alternative is to use your head and try to make the most of your so called “free” time. With that in mind, I decided to put together a “Top Ten” list of useful ways to help your business and yourself when things get slow around the holidays. Other than enjoy yourself and the time you get to spend with friends and family that is! I also realize December’s almost over, but rather than wait until next year I thought I’d put this out there while it’s fresh in my mind. Something to put away for next year perhaps. So, in no particular order, here are the…

Top Ten (or Twelve) Things To Do When Your Photography (or Other Creative) Business is Slow

1. Read and/or watch movies – Books, magazines and films are great places to find inspiration and activate your imagination. We just checked out Daren Aronofsky’s Black Swan the other day. He’s someone I enjoy for both his storytelling and cinematography. I’m also reading The Complete Joy of Home Brewing and rereading The Catcher in the Rye, which I picked up on vacation early this month. Perhaps the latter in honor of J.D. Salinger’s passing earlier this year. I’d forgotten how much I enjoyed it! Highly recommended, just don’t start collecting copies. I’ve heard that’s a bad sign.

2. Street photography – Get out and shoot! Even if it’s raining! Forget trying to find a subject ahead of time. Just grab your gear and go shoot what you see.

3. Update website or design and print a book – Go through your images from the last several months and see what you can bring into your portfolio (and, while you’re at it, take out!). Or print a portfolio book or a book focusing on a recent project. Blurb books have become particularly popular or print your own and put it in a Pina Zangaro or Lost Luggage binding. Both are more expensive, but look great as long as your prints are good. Blurb and others often have proprietary design software you can download for free. I prefer to use Aperture, which allows you to work from within your archive and can output in formats acceptable to most printers. In preparation for a trip to New York next month I’m printing one on Hahnemuhle Fine Art Pearl and binding it in a frost style Pina Zangaro jacket. Looking good so far!

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Hanging work at the Venice Art Crawl

Hanging art on Market St.

Venice Art Crawl After Party at Video Army

Venice Art Crawl After Party at Video Army

The inaugural Venice Art Crawl launched with a bang last night with a solid crowd showing up to check out the numerous local artists who were showing at pop-up galleries mostly located between the Boardwalk and Pacific Ave. I was showing my own work at Nikki’s alongside artist Scott Simon (check out his work here) and was also working the event as a volunteer, so I didn’t have much time to get out to all the venues, but I did manage a quick lap and took a few photos along the way. It was great seeing so many artists participating in the first event. A good sign that the event will continue to grow in the coming months. After the crawl wrapped up we made our way over to the official afterparty at Video Army, a new production company located on Pacific Ave. It was a fun environment with lots of people dancing and great light for shooting. After the party wound down we hit up a nearby taco truck and made our way home. Really a successful night if you ask me. Looking forward to next month!

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