Street artist Jules Muck portrait

Street artist Jules Muck

Earlier this summer I got a chance to photograph local street artist and designer Jules Muck at 1320Main Studios in Venice. I had invited her to shoot for a personal project I’m working on on local artists and thought it would be a great opportunity to shoot some portraits using a couple of large Kino Flo lights that the studio had available. In this instance, I gave Jules very little direction other than where to stand. I didn’t want to do anything too contrived and I thought it would be best to just let her be herself. She showed up wearing a slip and carrying a chihuahua, so that’s what we went with. Other than lighting, the other thing that was important to me was that the background was green, as it’s probably the most common color in her recent work, which can be seen on walls throughout Venice. If you’ve been to Venice lately, the piece you might recognize most is her portrait of Lindsay Lohan with the words “Welcome to Venice” scrawled above her head. I photographed people walking by the piece several months before I had actually met Jules. Anyway, the studio happens to have a large green screen that is used most commonly for video work, so I thought it was the perfect spot to shoot. The shoot was fun, but brief, as Jules managed to fit me in just before running off to catch a flight to NYC. The life of a street artist is changing! Between formal recognition by major museums, such as the current Art in the Streets exhibit at the Geffen Contemporary at MOCA, to an increasing number of commissioned works on everything from local buildings to major ad campaigns, not to mention the Banksy-directed film “Exit Through the Gift Shop,” street artists are increasing coming out of the shadows and into the limelight. As much of the work is still considered illegal, however, I think the rebelliousness that made it so exciting in the beginning still exists. It will be interesting to see how it evolves from here.

Robert Lobetta portrait

Robert Lobetta for Hair's How Magazine

Robert Lobetta

Robert Lobetta

Robert Lobetta

Robert Lobetta

Last month I had a great shoot for Hair’s How magazine with legendary hair stylist and artist Robert Lobetta, though nothing went as planned. We had been aiming to shoot at the LA Louvre in Venice, but when we arrived I wasn’t happy with the limited access they were allowing us. So, we started looking for another space and were fortunate to be able to arrange use of the Canal Club, a nearby restaurant, as our studio. With the restaurant not yet open for business, we had the run of the place and were able to produce some creative shots. Robert was a great subject, comfortable in front of the camera and willing to work with me to make the shots unique. And when I offered to show him the back of my camera – something I’ve become accustomed to doing either because everyone asks, or as a tool to help me describe what I’m aiming for – he refused to look, saying that doing so would make him want to take control and he wanted to trust in my vision. It was great to work with someone whose business revolves around image, but who was still trusting enough to let me do my work as I see fit.

I had also brought all my lights with me, expecting to use them. Robert has a great look and I had a preconceived vision about the type of portrait I was aiming for. But once we were inside I kept being drawn toward a couple of wonderful natural light sources and, despite unpacking my stands and a couple of strobes, left them untouched, opting only to use a reflector. I think it worked out well.

If you’ve got some time, hop over to Robert’s site. He does it all and has a ton of great work on display.

2009-09-13-travel-063

2009-09-15-travel-158

The trip between Maine and PA was bookended by a couple of interesting septuagenarians we think should someday meet. The first, whom we met in Boston, was my friend Meghan’s landlord and downstairs neighbor George Jovellas. George is an artist and has an incredible old studio behind the house where he keeps his paintings and a lot of other random stuff. He’s really a good painter and from what it looks like is an institution of sorts in Arlington, which is just northwest of the city. After a tour I asked if he was interested in shooting a portrait. He readily agreed and quickly decided that putting on his bowler hat and holding a giant fish would spruce it up a bit. I have to agree. The second was Erinn’s grandmother, with whom we stayed in New Brunswick. She’s not pictured here, but her living room is. Like George, she has the knack for collecting things. She’s a lot more organized though. In between those encounters we made a trip to Walden Pond, and the East Village, where during our 3-hour visit we had an encounter with Barack Obama’s motorcade, which shut down Bleecker Street as he made his way back from lunch with (we believe) Bill Clinton. He was in town to make an address on financial regulation at Federal Hall on the one-year anniversary of the collapse of Lehman Brothers. I got a pretty lame photo of his car going down the street, but I did get a slightly better one of a bunch of police milling about after the event had passed. It’s incredible the amount of preparation and resources that go into something as simple as a lunch meeting when POTUS is involved. The streets were shut down for a full hour before he came down the street and people had been there standing guard on the street corners since the night before, according to a police officer we talked to. He also complained that he’s been doing this duty for presidents for years on their various trips to the Big Apple, but has never actually gotten to see the president, as his job is to face the crowd. Those photos are after the jump.

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