Portrait, documentary, wedding, headshot photography
Porsche CEO Matthias Muller for The Financial Times Germany

Porsche CEO Matthias Müller for The Financial Times Germany

I’ve never been that much of a car guy, but after an exhilarating assignment last week for the Financial Times I may change my tune. The job was to head up to the Santa Maria Airport, about an hour north of Santa Barbara, to photograph the new CEO of Porsche, Matthias Müller, during an interview the FT had scheduled during a multi-day press event hosted by the company to promote the new 911 Carrera S. The assignment went well. I was able to photograph him during the interview and was also granted sufficient time at the end to shoot a couple of quick portraits, including this one, with him sitting in the driver’s seat of one of the new models with half of the exterior shell removed to show the inner workings. Herr Müller was very cooperative and the result was a cool photo. My plans after that were to hop back into my little Nissan Sentra and hit the road. Then Helene, the writer, asked me if I wanted to go for a test drive. Say what?

At first I thought I actually might get to drive the car, an idea that made me both excited and a bit apprehensive, considering the value. That wouldn’t have been out of the question had I been one of the journalists staying at the local hotel, many of whom, including Helene, were given a vehicle to drive themselves to and from the hangar where the event was hosted. Instead, we were both treated to ride alongs with a guy by the name of Walter Röhrl, who I later found out was once voted the greatest rally car driver of all time, having won 14 World Rally Championships in his career. Now in his mid-60s, Röhrl is the senior test driver at Porsche and the guy they retain to show off the vehicles to journalists and important guests at events such as these. Behind the hangar, they had repaved a section of runway to create a closed course track. Helene went first, disappearing behind the building and returning moments later, saying nothing more to me on her return than “You should be scared.” I smiled and hopped in, still not quite sure what to expect. Walter greeted me and we rolled around to the back side of the building and crawled up to the starting line. He made some comments to a couple of guys tending to the track and then, pressing a couple buttons, informed me of the settings he was changing. I nodded, pretending to understand. He may have, at first, thought he was driving around an auto journalist, but probably not for long. Meanwhile, finally realizing that we were really gonna race this thing, I decided to pull out my iPhone to get some video of the ride from my perspective.

“Here we go,” he said, putting his foot to the floor. Off like a rocket, in seconds we were peaking at 150 mph on a long straightaway that appeared to come to a sudden end not too far in the distance. “Holy shit,” I thought, as my body pressed back into the leather seat and I fumbled to turn on the camera function on my phone without taking my eyes off the road. The camera began to load and then immediately crashed, reverting to the home screen. Damn. The road was about to end, and the car screeched to a near stop twice as fast as it had taken off, pushing me forward into my seat belt, before sending me sideways nearly touching the driver as we took a hard right around a bend and then accelerated into a series of curves. I tried for my camera again, and again it failed. I had just used it to take photos in the lot before climbing in. Why was it failing now!? The car lunged left and, I as soon as I pressed into the door, reversed course and pulled me back toward the middle, accelerating and braking through a series of curves. Somewhere in there I tried my camera once or twice more, but still it failed. Screw it, I thought, I’m not missing this by playing with my phone. At one point, I was certain the car was going to go up on its right wheels, or at least go off course, but decided to put my faith in the driver. Another short straight-away and a curve or two later and the ride was over. Somewhat stunned and not really knowing what to ask, I inquired about the top speed and the horsepower, 150 and 350 respectively, as we rolled back toward the hangar. Röhrl then held up his pinky finger and told me in a thick German accent, “The car is like an extension of my finger. I just think what I want it to do, and it does it.” After that drive, I believed him.

I drove my Sentra with aggression on my three hour drive back home. The next day Helene sent me a link to Rohrl’s Wikipedia page, where I learned exactly whose hands my life had been in the day before. Wow. It was quite the experience riding in a high-performance car with someone who can really make it perform. Time to start saving my pennies. I think I might be a car guy after all.

The camera on my phone resumed working normally later that day. Guess I’m just going to have to remember this one.

 

5-minute-photo-project

Instagram photos of the Santa Monica Pier

After more than a year of opting out, I finally let go of my reluctance to use one of the numerous and extremely popular camera apps available on the iPhone and downloaded Instagram. When I found myself walking along the Santa Monica Pier today with Erinn I decided to give it a try, and found myself really enjoying shooting with my phone for once. It wasn’t that I was against the apps themselves – I think the effects can be cool and always love shooting in a square format – it was just that everyone had adopted these programs so quickly that all of the photos were beginning to look the same and that too many are leaning on the gimmicky color effects to make otherwise weak photos look interesting. However, after taking a couple photos I liked right off the bat I was hooked and decided to make a quick photo project of it, shooting everything I could in the time it took us to walk to the end of the pier and back. Here’s the majority of the shots I took, stitched together in one easy to view pastiche.

Parkour photo santa monica california

Nick Bishop - Santa Monica, Calf.

I recently continued work on a series of images featuring parkour runners in action. This time I headed out to Santa Monica to work with Nick Bishop, a talented young traceur from North Hollywood. A while back, I had seen a video he posted on YouTube and was impressed, so I invited him to be a part of the series. We shot for much of the afternoon on a variety of urban obstacles, from a series of railings on a zig-zag incline and a 6-foot wide, 12-foot high stairwell gap  with only an 8-inch ledge to land on, to the monkey bars at the original Muscle Beach, where he leaped from bar to bar and then sprung from the final one, soaring over my head like a long jump skier without the skis, before tucking into a flip and landing in the sand. Nick’s energy is great, and he’s got cojones to spare, making jumps that even at 21, never mind today, I never would have considered. It’s great watching these guys seemingly defy gravity and turn the world into their playground.

For this shoot I also decided to collaborate with a stylist and after doing some searching contacted Sunshine Harding, an up-and-coming stylist, who was excited to participate. With some direction from me as to what type of look I was picturing, she came up with numerous options that worked for the various locations we found. Hoping to continue the collaboration on future shoots!

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Kid playing football in Venice

Streetball on Speedway

Kid playing football in Venice

Streetball on Speedway

The other day I went out hunting for some fresh street photography and ended up coming across a group of kids playing football in front of a new mural by local street artist Chase on Speedway, an alley just off the Venice Boardwalk. While I took a lot of action photos that included the ball, I found it more interesting to watch people moving in front of this unusual and playful background. A couple more photos of random passers by after the jump.

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Nana @ Sunny Bak Studio, Venice, Calif.

Nana @ Sunny Bak Studio, Venice, Calif.

Nana @ Sunny Bak Studio, Venice, Calif.

Nana @ Sunny Bak Studio, Venice, Calif.

I recently had a fantastic shoot with my new friend Nana at Sunny Bak Studio in Venice. An artist, actor and model with an amazing fashion sense, Nana’s an incredible subject whom I had been wanting to photograph since I first approached her two years ago outside a local coffee shop. She’s one of the few people I’ve ever encountered whose presence can literally stop you in your tracks. The opportunity never materialized and I moved on to other things until deciding to try again a few weeks ago. Although I had never run into her in person again over that time, by then I had connected with several mutual friends and one of them, Sunny, was nice enough to reach out and vouch for me, which led to the shoot at her studio a few weeks later.

When Nana showed up to the shoot I knew she was a committed subject by the fact that, after getting stranded near the airport, she had hitchhiked to make it to the shoot. I was doubly relieved as I was not only looking forward to a much-anticipated shoot, but had also rented some extra gear and purchased film in order to make some exposures on an antique 4×5 camera I own but have never actually used. These photos are all shot on a Nikon D3, but I hope to be able to share the 4×5′s soon, pending positive results.

But even if they don’t turn out, the results of the D3 are enough to have made the shoot worthwhile. As you’ll see after clicking to the jump, I can hardly edit it down below 10 images made during a fun and fortuitous 90 minutes of shooting. The session was laid back and fun from the get go and only got better over time. Nana knows how to work the camera and we had a great time going through a variety of expressions, both posed an natural. Before shooting we came across a book by Robert Mapplethorpe entitled “Some Women.” I was mostly familiar with his more provocative work focusing on erotic male nudes, which is what most people probably associate him with. I was surprised when thumbing through the book to see this collection of beautifully lit portraits featuring young depictions the likes of Isabella Rossellini, Susan Sarandon and Grace Jones, the latter of which is a personal hero of Nana’s. Although it didn’t affect the way I set up for the shoot, I think the book provided a source of inspiration nonetheless, particularly evident in some of the more stoic images we produced.

A bit of luck came our way too when, not long into the shoot, a shaft of sunlight appeared on the backdrop. At first I saw it as a problem, an unsightly blotch of white light smeared across an otherwise even background. Then Nana – also a photographer I might add – pushed her face forward and into the light. I had been stuck on keeping my lighting the way I’d set it up, but when I saw that I immediately changed my tune. Knowing the rays, which were coming from the setting sun poking through the studio’s front door, were fleeting, I quickly started scrambling to take advantage. I wanted to try two things and managed to get a crack at both of them before the light faded away. First, I started working on balancing out the natural light with the overhead studio light so the effect of the sunlight could be seen without being bleached out by the strobes. I managed to find the right balance, so the strobe maintained the shadow detail while the sun lit her face. Then, I took the opposite approach, cutting the strobes altogether and exposing only for the highlight on her face. The effect was to surround just a portion of her face in total darkness. Right after that the sun disappeared and we resumed shooting with my original setup, which was nothing more than a single, super-diffused beauty dish placed over head, and the occasional use of a reflector below. (I’ve actually posted a couple “behind-the-scenes” shots taken by my wonderful intern Shari at the end of this post.) But it was a good reminder to roll with the unexpected rather than fight it.

My original intent when shooting Nana was to produce a couple good portraits that spoke more to her personality. The first shot posted here is probably the closest to my original vision. It’s a moment that’s loose and natural and powerful, and shows her being herself. I’ve seen a lot of amazing modeling work she’s done recently but wanted to go a different direction with her that I hadn’t yet seen, which is more my style anyway. But posed or natural, she was able to help me produce several great images that I’m happy to be sharing here. Hopefully I’ll have more to share after processing the 4×5′s.

Overall it was a great shoot and I look forward to working with her again someday!

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Abbot Kinney Festival

Dancing man through the beer tent fishbowl. The guy must run on Duracells.

Crowds at the Abbot Kinney Festival

Place was packed!

Last Sunday we spent a couple hours at the Abbot Kinney Festival in Venice. The annual event is a huge draw to the area and features tent after tent of local vendors selling everything from handmade jewelry to some pretty tasty peanut brittle. There’s also live music and a couple of beer tents, one of which where we spent a sizable portion of our visit. Always a fun event if you don’t mind the crowds.

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Big Talk at Hard Rock Cafe Las Vegas

Big Talk at the Hard Rock Cafe in Las Vegas

Last week I photographed the Stella Artois Draught Master competition at the Hard Rock Cafe in Las Vegas. It was my second year in a row shooting the event and was much improved this year with the addition of a rock show by Vegas locals Big Talk to finish off the night. The band is a side project of The Killers’ drummer Ronnie Vannucci Jr., who in this band takes the role as lead singer and guitarist. The show was pretty good and helped draw a nice crowd to the event. I’d never heard of the band before, but of course am at least somewhat familiar with The Killers. Brandon Flowers, The Killers’ lead singer, made a crowd-pleasing guest appearance midway through the show actually. This is a shot I like from the end of the evening. I was pretty much done shooting the action and retreated to the bar to take a break. The color of the stage lights contrasted nicely with the color of the liquor bottles lining the bar shelf. Vannucci is actually a very expressive singer and I got numerous shots of him belting out the lyrics, head up, eyes closed, mouth agape. The image lacks that moment for me, but the color combo helps make up for it.

The next day I stuck around for a portrait shoot I’d set up on the side. It gave me the opportunity to explore Vegas off the strip, which I rarely have done. Most of my visits there are results of gigs that usually take place somewhere along the strip. It was nice to see more. I’ll show the results of that day’s work soon.

Fine art photo pacific ocean

Flames in the sand, Venice, Calif., 2011.

I was browsing through some photos and found this miscategorized gem in a folder from a portrait shoot I did in January. Erinn and I apparently went out for a walk that evening and came across this cool pattern in the sand just north of the Venice Breakwater. I loved the suggestion of flames where the water recedes, and all the better that the flames were accentuated by the warmth of the setting sun. Lesson learned to either stay more organized or at least go looking through your old photos from time to time to see what you missed.

Backflip off sailboat, marina del rey, ca

Jumping ship

Sailing on a catamaran, Los Angeles, Calif.

Relaxing on the trampoline

A moment of guilt passes through my mind as I think that while we were out doing this, the majority of the country’s population was still in the path of, or trying to recover from, Hurricane Irene. But when things are perfect in your neck of the woods you’ve got to take advantage. And we did.

Last Sunday we got an invite from our friend, Roger, to join him and others on a sail out of Marina Del Rey. A heatwave that pushed the mercury over 100 degrees in the Valley coaxed the coastal temperatures into a much more tolerable mid-80s. Couple that with low winds and it was a perfect day for smooth sailing.

And we enjoyed every minute of it; relaxing, swimming and laughing with a great group of new friends made up of an impressive assortment of performers, entrepreneurs, adventurers and even a writer from the Daily Show (!). Normally I hate when those guys go on vacation, but when I get to hang out with them on a boat, I’m happy to make an exception. In the evening, several of us made our way over to Michael and Don’s place on the Venice Canals and kept the party going with some great grilling and beverages. If only every Sunday could be this perfect. As that’s unlikely, I took it upon myself to memorialize this one.

More photos after the jump!

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Venice Beach Boardwalk portraits

Ethan DeLorenzo and Stormi Henley

Venice Beach Boardwalk portraits

Dylan Finneran

I’ve had a lot of fun shooting street photography on the Venice Beach Boardwalk, but decided this time to try something different. So, with my intern Nanette and a single strobe I set out to make some portraits. Unfortunately, the hour we had to shoot was cut short by a dead battery in one of my Pocket Wizards. So much for spontaneity. But we were lucky to run into a few cool people in our short window of time and I’m really happy with the results. I’ll definitely be heading back for more in the near future.

 

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