Portrait, documentary, wedding, headshot photography
Matt Ivester

Matt Ivester in West Hollywood, Calif.

Matt Ivester

Matt Ivester in West Hollywood, Calif.

 

On the last day of 2011 I met up with Matt Ivester for a portrait shoot for the Chronicle of Higher Education in West Hollywood, Calif. Ivester, the founder of the now defunct and controversial JuicyCampus website – on which college students could anonymously post rumors about one another – has just written a book, lol… OMG!: What Every Student Needs to Know About Online Reputation Management, Digital Citizenship and Cyberbullying during his summer off as a graduate business student at Stanford. I didn’t want to get too conceptual with this shoot, so avoiding doing anything that would try to illustrate the idea of ‘cyber reputation.’ I decided instead to just go with a straightforward portrait, playing a little with reflections to illustrate the about face he has made in his stance on the subject, but otherwise just trying to show him as is. As he’s from Palo Alto, we really didn’t have a suitable location to shoot, so decided to meet up at the Pacific Design Center in West Hollywood and wing it. He was easy to work with and we found a few good places to shoot, particularly across the street at the West Hollywood Library, despite not having permission to shoot there. I think it didn’t hurt that it was New Year’s Eve and staffs and security were at a minimum. The top image is what ran, but I like the headshot as well.

Burning Christmas Trees bonfire

Midnight burn

Burning Christmas Tree

Well, not really. But a fun way to end the holidays. A few days back I got a last minute notice of a clandestine, late night bonfire on the beach comprised of a collection of Christmas trees set to be collected by the city the following morning. The dried trees were promised to go up in a flash. It seemed too fun not to witness, so we made an extra effort not to fall asleep on the sofa after having attended happy hour earlier in the evening and headed out to the water. When we arrived we were the only ones there, despite showing up ten minutes later than the announced burn time. We gave it a few minutes though, and just as we were about to pack it up spotted a line of people emerging like mice from the shadows, each with a tree in tow. Scurrying through the dark they dragged the trees out across the sand and beyond the berm, piling them out of site of anyone not already out on the beach and just feet from the water’s reach. Beneath the full moon, someone reached in with a lighter, igniting the needles of one of the trees. Within seconds the entire pile was ablaze, shooting sparks 20 feet into the sky as a group of 15 or so gathered around. As promised, the pile burned quickly and brightly and in a matter of minutes had nearly exhausted its fuel supply. By the morning the waves would wash away the ashes. It was a beautiful moment shared by only a few and was definitely worth waiting up for. Content, tired and smelling of campfire we decided to make the short trek home, stopping along the way to photograph our dancing shadows as they reached out to meet the surf. A fun way to officially end the holiday season. (More photos after the jump).

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Chiara Daraio for STYLE magazine

Chiara Daraio for STYLE magazine

In November I photographed Chiara Daraio for the Italian magazine STYLE. Daraio, a professor of aeronautics and applied physics at California Institute of Technology, was being profiled for being a leader in her field, which in layman’s terms is the study of how stress waves travel through solid materials, which they will then use to develop new technologies. The shoot was fun and relaxed, using a combination of natural and strobe lighting in a variety of settings in her building at Caltech. Whenever possible, particularly with portraits, I try to research the subject I’m photographing to see what’s been shot of them before and also what’s other photographers have done with similar subjects. In doing so, I found that she had been photographed in the lab before for Popular Science, so I made that shot my lowest priority, not wanting to copy what had been done before. The editors had only asked that it be a photo that shows her as an intellect and a leader in her field, but I was pretty free to take it from there. While I did shoot her in the lab, in a fashion different than what had been done before, I was happy they chose to run this shot which just shows her relaxing in her office, where notes indecipherable by me, but pertaining to her research, were already on the chalkboard. On a technical level, the shot was pretty simple, using only a reflector to bounce a little window light back into the scene, but the results were good.

panoramic of child leaping off sand dune at sunset, Venice Beach, Calif.

Venice Beach sunset

Caught this moment this evening when I stepped out to check out the sunset. The sand dunes created on the beach always make for interesting photos.

Venice Beach Boardwalk Portrait

Venice portrait - 2Much

Venice Beach Portrait of Skaters

Venice portrait - Skaters

A couple weeks ago I went out to continue a series of portraits I’m doing with people I encounter on or around the Venice Boardwalk. I’m still not sure where I’m going with this project, but so far I’m having fun doing it. I do know I’m trying to avoid shooting the typical boardwalk scenes, such as street performers, vagrants and various eccentrics, and am mostly shooting people who are just there to enjoy the scene. For now I’m just going to keep on shooting and we’ll see where this goes. Previous photos from this are posted here.

Venice Canals Holiday Boat Parade

Front row seating at the Venice Canals Holiday Boat Parade

Venice Canals Holiday Boat Parade

Venice Canals Holiday Boat Parade

Here are a few scenes from the 2011 Venice Canals Holiday Boat Parade. Tim Tebow almost made us late for this one, but we got there just in time. This year’s parade was later in the day than last year’s and seemed to have a smaller turnout, but all of the lit floats winding their way through the canals still made for a pretty event.

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Santa Ana Wind damage Temple City

Theresa Reyes, left, Antjuan Roy and his mother Diane Johnson, stand in front of Roy and Johnson's home and Roy's destroyed car in Temple City, Calif., on Saturday, Dec. 3, 2011. (AP Photo/David Zentz)

Temple City Santa Ana wind storm

Postal worker Edward Tena delivers mail along Live Oak Ave., in Temple City, Calif., on Saturday, Dec. 3, 2011.

Occupy LA march on County Jail

Occupy LA protesters march from Pershing Square to the Los Angeles County Men's Central Jail where protesters, who were arrested during the arrests on Wednesday, were being held, in Los Angeles, Calif., on Saturday, Dec. 3, 2011. (AP Photo/David Zentz)

Occupy LA march on County Jail

Occupy LA protesters arrive at the Los Angeles County Men's Central Jail where protesters were being held, in Los Angeles, Calif., on Saturday, Dec. 3, 2011. (AP Photo/David Zentz)

First the preoccupied: Last Saturday had me busy with two assignments for the AP, first doing follow up on Santa Ana winds damage in the formerly tree-lined town of Temple City. Two days prior, winds reaching 150 miles per hour had blown through town causing extensive damage. When I arrived in Temple City it didn’t look all that bad at first. Traffic lights were out along Las Tunas Drive, the town’s main street, causing traffic to move at a slower clip than usual, but other than a few piles of downed branches on the curbside it didn’t seem that bad. It was a different story though when I turned off into the neighborhoods. On the first block to the south large trees still blocked driveways and entire yards were covered with branches. On Live Oak, the next road south, it really looked like a hurricane had come through town. The entire street had been cast in a net of power lines, as one utility pole after another laid outstretched across the road. The power outage was the most pressing problem for the city, as overnight temperatures were dropping unusually low, into the thirties, making life rough for the local residents. Despite some criticism that power wasn’t coming back on fast enough, it was good to see that the power company had deployed additional forces to address the problem. In 2004 I photographed Hurricane Charley, a category 2 storm that tore a new O in Orlando, and remember it took more than eight days in some areas to regain power. This was in August, with temperatures pushing 100 degrees. I remember visiting families who seemed to be melting into their sofas as they sat in the dark, waiting. Here, I believe all power was restored within the week, but understand why people would be impatient. I shot the workers and the downed power lines, walking all the way around the block each time I wanted to move a block east or west since the road was blocked off. After one or two blocks I grew tired of this and was relieved when a postal worker told me about a car that was still crushed beneath a giant tree a couple blocks to the north. (That sounds bad.) What I was hoping to find was an example of how the storm damage had affected someone personally, and this sounded like it might be the thing. The scene he described wasn’t hard to find. It turns out that not only had the tree crushed the one visible car, but there were two cars in front of it that were also trapped, if not destroyed. The red car belonged to the Antjuan Roy, the 20-year-old son of the homeowner, and was his first car, which he’d worked and saved up for. I was told he only had liability insurance, so it was a total loss. Considering the news, they seemed to be taking it well. As I stood there talking to them, passers by slowed their vehicles, jaws slacked, some pausing long enough to shoot a photo with their phone. Theresa, the homeowner, joked that they should put out a can for donations. In the scheme of things they were lucky. The giant tree had somehow managed to fall directly into the one-lane driveway separating their home from their neighbor’s. A couple feet to the right or left and it would have come down on one of their rooftops. But I wished there was something I could do other than try to get the photo published and hope someone would notice.

On to the Occupiers: After filing the images from Temple City I was asked to head downtown where a group of two hundred or so Occupiers had reconvened. This time they were protesting the

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View from Mt. Lemmon

View from Mt. Lemmon

Salton Sea chair

The Salton Sea

Erinn and I had a great trip to Tucson for the Thanksgiving holiday. Along the way I took numerous photos that had a rather quiet tone to them. Thought I’d pull them together for this post. While in Tucson, Erinn and I had a great time feasting with my sister and friends, trying out local breweries and visiting some pretty amazing locations, such as Ted De Grazia’s Gallery in the Sun and Mt. Lemmon. On the drive home we cut north on Rte. 86 for a very brief visit to the Salton Sea, which neither of us had visited in our three years living here. Only having seen images of decrepit trailers and short clips from the film Plagues and Pleasures on the Salton Sea, I was surprised to see how many people lived there, primarily in the town of Salton City. We drove up the north shore looking for interesting sites and came across an interesting mix of abandoned furniture, dead fish and numerous birds. The chair I’d seen photographed before in different locations. It must be moved around as needed by the numerous photographers who have visited the site. The dead fish, it turns out, are a result of the ever increasing saline percentages in the water, which are making it harder and harder for the fish populations to survive. We had to stay on schedule to make it home by a certain time that evening for the arrival of some house guests, but I’d like to look into this area more. In addition to the eccentric people who live in the area, there are apparently some significant ecological issues going on there.

More photos after the jump!

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Porsche CEO Matthias Muller for The Financial Times Germany

Porsche CEO Matthias Müller for The Financial Times Germany

I’ve never been that much of a car guy, but after an exhilarating assignment last week for the Financial Times I may change my tune. The job was to head up to the Santa Maria Airport, about an hour north of Santa Barbara, to photograph the new CEO of Porsche, Matthias Müller, during an interview the FT had scheduled during a multi-day press event hosted by the company to promote the new 911 Carrera S. The assignment went well. I was able to photograph him during the interview and was also granted sufficient time at the end to shoot a couple of quick portraits, including this one, with him sitting in the driver’s seat of one of the new models with half of the exterior shell removed to show the inner workings. Herr Müller was very cooperative and the result was a cool photo. My plans after that were to hop back into my little Nissan Sentra and hit the road. Then Helene, the writer, asked me if I wanted to go for a test drive. Say what?

At first I thought I actually might get to drive the car, an idea that made me both excited and a bit apprehensive, considering the value. That wouldn’t have been out of the question had I been one of the journalists staying at the local hotel, many of whom, including Helene, were given a vehicle to drive themselves to and from the hangar where the event was hosted. Instead, we were both treated to ride alongs with a guy by the name of Walter Röhrl, who I later found out was once voted the greatest rally car driver of all time, having won 14 World Rally Championships in his career. Now in his mid-60s, Röhrl is the senior test driver at Porsche and the guy they retain to show off the vehicles to journalists and important guests at events such as these. Behind the hangar, they had repaved a section of runway to create a closed course track. Helene went first, disappearing behind the building and returning moments later, saying nothing more to me on her return than “You should be scared.” I smiled and hopped in, still not quite sure what to expect. Walter greeted me and we rolled around to the back side of the building and crawled up to the starting line. He made some comments to a couple of guys tending to the track and then, pressing a couple buttons, informed me of the settings he was changing. I nodded, pretending to understand. He may have, at first, thought he was driving around an auto journalist, but probably not for long. Meanwhile, finally realizing that we were really gonna race this thing, I decided to pull out my iPhone to get some video of the ride from my perspective.

“Here we go,” he said, putting his foot to the floor. Off like a rocket, in seconds we were peaking at 150 mph on a long straightaway that appeared to come to a sudden end not too far in the distance. “Holy shit,” I thought, as my body pressed back into the leather seat and I fumbled to turn on the camera function on my phone without taking my eyes off the road. The camera began to load and then immediately crashed, reverting to the home screen. Damn. The road was about to end, and the car screeched to a near stop twice as fast as it had taken off, pushing me forward into my seat belt, before sending me sideways nearly touching the driver as we took a hard right around a bend and then accelerated into a series of curves. I tried for my camera again, and again it failed. I had just used it to take photos in the lot before climbing in. Why was it failing now!? The car lunged left and, I as soon as I pressed into the door, reversed course and pulled me back toward the middle, accelerating and braking through a series of curves. Somewhere in there I tried my camera once or twice more, but still it failed. Screw it, I thought, I’m not missing this by playing with my phone. At one point, I was certain the car was going to go up on its right wheels, or at least go off course, but decided to put my faith in the driver. Another short straight-away and a curve or two later and the ride was over. Somewhat stunned and not really knowing what to ask, I inquired about the top speed and the horsepower, 150 and 350 respectively, as we rolled back toward the hangar. Röhrl then held up his pinky finger and told me in a thick German accent, “The car is like an extension of my finger. I just think what I want it to do, and it does it.” After that drive, I believed him.

I drove my Sentra with aggression on my three hour drive back home. The next day Helene sent me a link to Rohrl’s Wikipedia page, where I learned exactly whose hands my life had been in the day before. Wow. It was quite the experience riding in a high-performance car with someone who can really make it perform. Time to start saving my pennies. I think I might be a car guy after all.

The camera on my phone resumed working normally later that day. Guess I’m just going to have to remember this one.

 

5-minute-photo-project

Instagram photos of the Santa Monica Pier

After more than a year of opting out, I finally let go of my reluctance to use one of the numerous and extremely popular camera apps available on the iPhone and downloaded Instagram. When I found myself walking along the Santa Monica Pier today with Erinn I decided to give it a try, and found myself really enjoying shooting with my phone for once. It wasn’t that I was against the apps themselves – I think the effects can be cool and always love shooting in a square format – it was just that everyone had adopted these programs so quickly that all of the photos were beginning to look the same and that too many are leaning on the gimmicky color effects to make otherwise weak photos look interesting. However, after taking a couple photos I liked right off the bat I was hooked and decided to make a quick photo project of it, shooting everything I could in the time it took us to walk to the end of the pier and back. Here’s the majority of the shots I took, stitched together in one easy to view pastiche.

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