Haitian capital palace

This was the scene last time I was in Port-au-Prince, Haiti, in 2008. Other than the overcast skies (forecast shows rain for the next 10 days!), I expect little to be the same when we return this Thursday. At the moment the Haitian National Palace is still in ruins and the surrounding Champs de Mars plaza is still a tent camp, more than two years after an earthquake leveled the nation’s already troubled capital. Add to that a cholera epidemic and who knows what to expect. What I do expect to find however is the same spirit in the people who live there, as they carry on in the face of seemingly insurmountable circumstances.

This time I’m heading down with Erinn and our friend Michael to tag along with GlobalDIRT (disaster immediate response team), a fledgling NGO, started by a young Marine, Adam Marlatt, during the immediate aftermath of the earthquake. Following the tragic event, Adam and Robert Sullivan, also a Marine, hit the ground, converting a bread truck into an ambulance to help rescue some of the countless victims. Only two years later the organization is working on building the first 24/7 911 ambulance system in the country and is working with the local government and other NGO’s to help create a more efficient system that will better aid victims in Port-au-Prince and eventually across the country. We’ll be telling their story as well as discussing the shortcomings of emergency medical care in Haiti and the inefficiencies of some of the larger NGO’s.

Erinn and I are paying for this project largely out of pocket will be operating on a shoestring budget. We can therefore use all the support we can get in order to make a professional project that we hope will bring a large amount of attention to the organizations efforts and the ongoing problems in Haiti. Upon our return we’ll be aiming to publish the story in a number of magazines and news outlets. I will also be shooting video, which we hope will broaden the reach of our story. Of course, prints will be available for purchase when we return, but we are also taking pre-orders/donations at a slight discount in order to help us while we are down there. If you care to help out I have listed below the thank you perks I am offering in exchange for your support. Other than that, wish us luck!

Donations can be made via Paypal to my address, dz@davidzentz.com.

Perks:

  • $10

    All donors will receive a thank you email and can take pride in knowing that they are furthering a longtime tradition of quality news reporting by serious and dedicated journalists. Donors names will be included on a “Thank You” plaque, which will be displayed during the photo exhibit in Los Angeles.

  • $25

    You will receive the previous perk, plus a custom thank-you postcard featuring an image from a select series of photos from the project and others taken along the way that reflect the beauty and character of Haiti.

  • $50

    You will receive the previous perks, plus set of four postcards for your personal use, featuring images selected from the project and others taken along the way that reflect the beauty and character of Haiti.

  • $100

    You will get everything from the previous perks PLUS an 8×12 inch signed print of your choosing from a limited edition print series featuring images selected from the project and others taken along the way that reflect the beauty and character of Haiti.

  • $250

    You will get everything from the first three perks, PLUS an 11×17 inch signed print of your choosing from a limited edition print series featuring images selected from the project and others taken along the way that reflect the beauty and character of Haiti.

Baldwin Hills Scenic Overlook flying a kite

Hernan and Satya fly a kite at the Baldwin Hills Scenic Overlook, Culver City, Calif.

A few weeks ago I got the Nikon D800 and immediately took it out for a spin. After visiting some friends in Culver City I decided to hike up to the top of the Baldwin Hills Scenic Overlook, where I was lucky to find Hernan and his daughter Satya flying a kite high over the city’s distant skyline. Despite Satya’s apparent disinterest at this moment, she was actually untangling the kite string, which you can see quite clearly if you zoom in on the massive 36mp file this thing produces. Since then I’ve also had the chance to use the camera’s video features. No fooling around, my first use was helping my friends shoot a documentary film on up-and-coming Olympic swimming star, Missy Franklin. The film’s trailer can be seen here and is due out sometime in the next year. I’ll eventually cobble together some footage from that to share, but will hopefully have some more video opportunities in the meantime. So far I’m loving it! Anyone wanna buy a Nikon D3?

Howard Kahn cover of Managed Heathcare Executive

Howard Kahn for Managed Healthcare Executive

Howard Kahn for Managed Healthcare Executive

Howard Kahn for Managed Healthcare Executive

Haven’t posted in a while! Time to get back on it. Here’s the first of several recent cover shoots I’ve done in the past couple months. In January I photographed Howard Kahn, CEO of L.A. Care Health Plan, in his Los Angeles office for the cover and an inside story in Managed Healthcare Executive. Kahn was great to work with and the view from the company’s new downtown office was pretty nice too! Check out the article.

Christian Torres Pomona College

Christian Torres at home in Fontana, Calif.

A couple weeks ago I worked on a story for the Chronicle of Higher Education that brought national attention for the small Pomona College in Claremont, Calif. In late December, due to a complaint from an employee to the Board of Trustees that the school wasn’t properly vetting its employees’ immigration statuses, 17 workers who could not prove their citizenship were fired. One was Christian Torres, a 25-year-old kitchen worker who had been employed by the college for several years. Torres – who is pictured in the room he rents in a house occupied by two other families – and 15 fellow kitchen workers were among the 17 fired. The sudden termination of the employees resulted in immediate protests by both students and employees of the liberal college that prides itself on promoting Latino culture and continues to be a topic of debate. Meanwhile, those affected, like Christian, are moving on and trying to find new work, which he was hoping to land soon so he didn’t have to sell his car. Without getting into the debate of who’s wrong and who’s right, the situation is understandably a difficult one in areas such as this, which are primarily Latino.

You can read more about it in the Chronicle and in the New York Times. The Chronicle also posted a slideshow of images that include photos from the protests.

Richard Jackson at LAX for The Chronicle of Higher Education

Richard Jackson for The Chronicle of Higher Education

A few weeks ago I photographed Richard Jackson for the Chronicle of Higher Education. A professor at UCLA and former head of the National Center for Environmental Health at the CDC, Dr. Jackson is the host of Designing Healthy Communities, a documentary miniseries airing on PBS this week and next. He is one of the leading advocates for better urban design, which in turn leads to better overall health for a community’s residents.

Jackson had the perfect place in mind for the shoot, a concrete island outside of baggage claim at LAX, where he says he often waits in a noxious cloud of cigarette smoke and car exhaust for up to an hour for a shuttle bus that will take him up to the UCLA campus. He spends his weekends in San Francisco, where his family currently resides. “This is my idea of hell,” he yelled over a cacophony of  car horns and revving engine noises pinging back and forth between pavement and low cement ceilings as we exited the baggage claim area. He had a point. The place doesn’t exactly scream ‘welcome to paradise.’

Photographing at LAX is fairly easy as long as you don’t pull out any lights and are out in the public area. Swarms of paparazzi and camera-toting tourists are a daily occurrence, so there’s a certain level of tolerance built in for casual shooting. So, I kept it simple, shooting only natural light and using the bounce from the adjacent parking deck to light the subject. We were able to shoot for several minutes without being hassled, which is more than you can say for many public spots in the city.

The following day I went to shoot him as he was giving a guest lecture to a class at the university. The material he presented is pretty interesting, and I found myself sticking around after I’d packed up my gear to listen to what he had to say. Many of us, particularly in LA, are already aware of what poor urban planning can do to impede pedestrians, but seeing it presented in photographs of labyrinthian neighborhoods and charts tracking our nations health decline with the rise of urban sprawl and suburbia was still fascinating and frustrating. It’s amazing to see how an epidemic of obesity, diabetes, heart disease and asthma can in part be traced back to civic planners from the 1950′s. It also makes you realize the hurdles advocates of cities designed around pedestrians, such as Jackson, have to overcome.

This also made me appreciate living in Venice, which is an unusually walkable and bike friendly neighborhood. In fact, LA has numerous walkable neighborhoods. It’s just when you try to get from one to another that the nightmare begins. Speaking of which, it’s time to get away from this computer and go stretch my legs.

 

Dr. Lucy Jones for Smithsonian Magazine

Dr. Lucy Jones for Smithsonian Magazine

 

I recently had the opportunity to photograph Lucy Jones for Smithsonian Magazine. We lucked out with our location, finding a spot at a private residence just north of the city that gave us a gorgeous view of the city, combined with a little touch of nature in the foreground, tying together her job as one of the nation’s preeminent seismologists with her role as a protector and voice of reason for the city’s earthquake apprehensive citizens. Jones, a science adviser for the USGS in Pasadena, has become somewhat of a local celebrity in Los Angeles for her regular tv news appearances where she explains the causes, risks and likelihood of tremblers before and after earthquakes have occurred. The story is an interesting read if you want to check it out. http://www.smithsonianmag.com/science-nature/Meet-Lucy-Jones-the-Earthquake-Lady.html#

Chiara Daraio for STYLE magazine

Chiara Daraio for STYLE magazine

In November I photographed Chiara Daraio for the Italian magazine STYLE. Daraio, a professor of aeronautics and applied physics at California Institute of Technology, was being profiled for being a leader in her field, which in layman’s terms is the study of how stress waves travel through solid materials, which they will then use to develop new technologies. The shoot was fun and relaxed, using a combination of natural and strobe lighting in a variety of settings in her building at Caltech. Whenever possible, particularly with portraits, I try to research the subject I’m photographing to see what’s been shot of them before and also what’s other photographers have done with similar subjects. In doing so, I found that she had been photographed in the lab before for Popular Science, so I made that shot my lowest priority, not wanting to copy what had been done before. The editors had only asked that it be a photo that shows her as an intellect and a leader in her field, but I was pretty free to take it from there. While I did shoot her in the lab, in a fashion different than what had been done before, I was happy they chose to run this shot which just shows her relaxing in her office, where notes indecipherable by me, but pertaining to her research, were already on the chalkboard. On a technical level, the shot was pretty simple, using only a reflector to bounce a little window light back into the scene, but the results were good.

Porsche CEO Matthias Muller for The Financial Times Germany

Porsche CEO Matthias Müller for The Financial Times Germany

I’ve never been that much of a car guy, but after an exhilarating assignment last week for the Financial Times I may change my tune. The job was to head up to the Santa Maria Airport, about an hour north of Santa Barbara, to photograph the new CEO of Porsche, Matthias Müller, during an interview the FT had scheduled during a multi-day press event hosted by the company to promote the new 911 Carrera S. The assignment went well. I was able to photograph him during the interview and was also granted sufficient time at the end to shoot a couple of quick portraits, including this one, with him sitting in the driver’s seat of one of the new models with half of the exterior shell removed to show the inner workings. Herr Müller was very cooperative and the result was a cool photo. My plans after that were to hop back into my little Nissan Sentra and hit the road. Then Helene, the writer, asked me if I wanted to go for a test drive. Say what?

At first I thought I actually might get to drive the car, an idea that made me both excited and a bit apprehensive, considering the value. That wouldn’t have been out of the question had I been one of the journalists staying at the local hotel, many of whom, including Helene, were given a vehicle to drive themselves to and from the hangar where the event was hosted. Instead, we were both treated to ride alongs with a guy by the name of Walter Röhrl, who I later found out was once voted the greatest rally car driver of all time, having won 14 World Rally Championships in his career. Now in his mid-60s, Röhrl is the senior test driver at Porsche and the guy they retain to show off the vehicles to journalists and important guests at events such as these. Behind the hangar, they had repaved a section of runway to create a closed course track. Helene went first, disappearing behind the building and returning moments later, saying nothing more to me on her return than “You should be scared.” I smiled and hopped in, still not quite sure what to expect. Walter greeted me and we rolled around to the back side of the building and crawled up to the starting line. He made some comments to a couple of guys tending to the track and then, pressing a couple buttons, informed me of the settings he was changing. I nodded, pretending to understand. He may have, at first, thought he was driving around an auto journalist, but probably not for long. Meanwhile, finally realizing that we were really gonna race this thing, I decided to pull out my iPhone to get some video of the ride from my perspective.

“Here we go,” he said, putting his foot to the floor. Off like a rocket, in seconds we were peaking at 150 mph on a long straightaway that appeared to come to a sudden end not too far in the distance. “Holy shit,” I thought, as my body pressed back into the leather seat and I fumbled to turn on the camera function on my phone without taking my eyes off the road. The camera began to load and then immediately crashed, reverting to the home screen. Damn. The road was about to end, and the car screeched to a near stop twice as fast as it had taken off, pushing me forward into my seat belt, before sending me sideways nearly touching the driver as we took a hard right around a bend and then accelerated into a series of curves. I tried for my camera again, and again it failed. I had just used it to take photos in the lot before climbing in. Why was it failing now!? The car lunged left and, I as soon as I pressed into the door, reversed course and pulled me back toward the middle, accelerating and braking through a series of curves. Somewhere in there I tried my camera once or twice more, but still it failed. Screw it, I thought, I’m not missing this by playing with my phone. At one point, I was certain the car was going to go up on its right wheels, or at least go off course, but decided to put my faith in the driver. Another short straight-away and a curve or two later and the ride was over. Somewhat stunned and not really knowing what to ask, I inquired about the top speed and the horsepower, 150 and 350 respectively, as we rolled back toward the hangar. Röhrl then held up his pinky finger and told me in a thick German accent, “The car is like an extension of my finger. I just think what I want it to do, and it does it.” After that drive, I believed him.

I drove my Sentra with aggression on my three hour drive back home. The next day Helene sent me a link to Rohrl’s Wikipedia page, where I learned exactly whose hands my life had been in the day before. Wow. It was quite the experience riding in a high-performance car with someone who can really make it perform. Time to start saving my pennies. I think I might be a car guy after all.

The camera on my phone resumed working normally later that day. Guess I’m just going to have to remember this one.

 

Parkour photo santa monica california

Nick Bishop - Santa Monica, Calf.

I recently continued work on a series of images featuring parkour runners in action. This time I headed out to Santa Monica to work with Nick Bishop, a talented young traceur from North Hollywood. A while back, I had seen a video he posted on YouTube and was impressed, so I invited him to be a part of the series. We shot for much of the afternoon on a variety of urban obstacles, from a series of railings on a zig-zag incline and a 6-foot wide, 12-foot high stairwell gap  with only an 8-inch ledge to land on, to the monkey bars at the original Muscle Beach, where he leaped from bar to bar and then sprung from the final one, soaring over my head like a long jump skier without the skis, before tucking into a flip and landing in the sand. Nick’s energy is great, and he’s got cojones to spare, making jumps that even at 21, never mind today, I never would have considered. It’s great watching these guys seemingly defy gravity and turn the world into their playground.

For this shoot I also decided to collaborate with a stylist and after doing some searching contacted Sunshine Harding, an up-and-coming stylist, who was excited to participate. With some direction from me as to what type of look I was picturing, she came up with numerous options that worked for the various locations we found. Hoping to continue the collaboration on future shoots!

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Kid playing football in Venice

Streetball on Speedway

Kid playing football in Venice

Streetball on Speedway

The other day I went out hunting for some fresh street photography and ended up coming across a group of kids playing football in front of a new mural by local street artist Chase on Speedway, an alley just off the Venice Boardwalk. While I took a lot of action photos that included the ball, I found it more interesting to watch people moving in front of this unusual and playful background. A couple more photos of random passers by after the jump.

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